onengine.com

Though "The Dark Knight" has been a bona fide cultural event, boasting rave reviews and boffo box office, it hasn't been immune to criticism. Some have quibbled with its political undercurrents, and others have criticized a muddled theme.

But here's the critique most widely held: Why does Batman talk like the offspring of Clint Eastwood and a grizzly bear?

Donning the costume for the second time, Christian Bale has delved deeper into the lower registers. As Bruce Wayne, his voice is as smooth as his finely pressed suits. But once he puts the cape on, the transformation of his vocal chords is just as dramatic as his costume change.

Particularly when his rage boils over, Bale's Batman growls in an almost beastly fashion, reflecting how close he teeters between do-gooder and vengeance-crazed crusader.

"The Dark Knight" hauled in $43.8 million to rank as Hollywood's top movie for the third straight weekend, fending off "The Mummy: Tomb of the Dragon Emperor" which opened a close second with $42.5 million. It has earned $394.9 million in just 17 days, according to studio estimates Sunday.

Though much of the voice effect is Bale's own doing, under the guidance of director Christopher Nolan and supervising sound editor Richard King, the frequency of his Batman voice was modulated to exaggerate the effect.

Critics and fans have noticed.

"His Batman rasps his lines in a voice that's deeper and hammier than ever," said NPR's David Edelstein.

The New Yorker's David Denby praised the urgency of Bale's Batman, but lamented that he "delivers his lines in a hoarse voice with an unvarying inflection."

Reviewing the film for MSNBC, Alonso Duralde wrote that Bale's Batman in "Batman Begins" "sounded absurdly deep, like a 10-year-old putting on an `adult' voice to make prank phone calls. This time, Bale affects an eerie rasp, somewhat akin to Brenda Vaccaro doing a Miles Davis impression."

Before the similes run too far afield, it's worth considering where the concept of a throaty Batman comes from.

In his portrayal on the `60s "Batman" TV series, Adam West didn't alter his voice between Bruce Wayne and Batman. Decades later when Tim Burton brought "Batman" to the big screen in a much darker incarnation, Michael Keaton's inflection was notably but not considerably different from one to the other.

But it was a lesser-known actor who, a few years after Burton's film, made perhaps the most distinct imprint on Batman's voice. Kevin Conroy, as the voice of the animated Batman in various projects from 1992's "Batman: The Animated Series" right up until this year's "Batman: Gotham Knight," brought a darker, raspier vocalization to Batman.

Conroy has inhabit the role longer than anyone else and though animated voice-over work doesn't have the same cachet as feature film acting, there are quarters where Conroy is viewed as the best Batman of them all certainly superior to Val Kilmer or George Clooney.

The animated series are notable because they drew on the DC Comics of Batman as envisioned by Frank Miller, whose work heavily informs "Batman Begins" and "The Dark Knight." (Bale and Nolan were unavailable to comment for this story.)

As Batman has gotten darker, his voice has gotten deeper. As some critics suggest, Bale and "The Dark Knight" may have reached a threshold, at least audibly. Read More......

"The Dark Knight" took in a record $155.34 million in its first weekend, topping the previous best of $151.1 million for "Spider-Man 3" in May 2007 and pacing Hollywood to its biggest weekend ever, according to studio estimates Sunday.

"We knew it would be big, but we never expected to dominate the marketplace like we did," said Dan Fellman, head of distribution for Warner Bros., which released "The Dark Knight." The movie should shoot past the $200 million mark by the end of the week, he said.

Hollywood set an overall revenue record of $253 million for a three-day weekend, beating the $218.4 million haul over the weekend of July 7, 2006, according to box-office tracker Media By Numbers.

"This weekend is such a juggernaut," said Nikki Rocco, head of distribution for Universal, whose musical "Mamma Mia!" debuted at No. 2 with $27.6 million.

Factoring in higher admission prices, "Spider-Man 3" may have sold slightly more tickets than "The Dark Knight."

At 2007's average price of $6.88, "Spider-Man 3" sold 21.96 million tickets over opening weekend. Media By Numbers estimates today's average movie prices at $7.08, which means "The Dark Knight" would have sold 21.94 million tickets.

Revenue totals for "The Dark Knight" could change when final numbers are released Monday.

The movie's release was preceded by months of buzz and speculation over the performance of the late Heath Ledger as the Joker, Batman's nemesis. Ledger, who died in January from an accidental prescription-drug overdose, played the Joker as a demonic presence, his performance prompting predictions that the role might earn him a posthumous Academy Award nomination.

"The average opening gross of the last five `Batman' movies is $47 million. This tripled that, and for a reason," said Paul Dergarabedian, president of Media By Numbers. "A big part of that was the Heath Ledger mystique and a phenomenal performance that absolutely deserves the excitement surrounding it."

"The Dark Knight" reunites director Christopher Nolan with his "Batman Begins" star Christian Bale, whose vigilante crime-fighter is taunted and tested by Ledger's Joker as the villain unleashes violence and chaos on the city of Gotham.

Overseas, "The Dark Knight" added $40 million in 20 countries where it began opening Wednesday, including Australia, Mexico and Brazil. The film opens in Great Britain this weekend and rolls out to most of the rest of the world over the next few weeks.

"The Dark Knight," which cost $185 million to make, also broke the "Spider-Man 3" record for best debut in IMAX large-screen theaters with $6.2 million. "Spider-Man 3" opened with $4.7 million in IMAX cinemas.

"Every single show is sold out," said Greg Foster, IMAX chairman and president. "We're adding shows as much as we can, but we're at 100 percent capacity."

On opening day Friday, "The Dark Knight" also took in more money than previously counted, Fellman said. The film pulled in a record $67.85 million, up nearly $1.5 million from the studio's estimates a day earlier.

The previous opening-day record also had been held by "Spider-Man 3" with $59.8 million.

Women accounted for most of the audience for "Mamma Mia!", which Universal opened as counter-programming to the male-dominated audience for "The Dark Knight."

"With the crowded summer, we knew we would have to find the right weekend, and this seemed like the perfect one considering three-quarters of our audience was female," Rocco said.

Based on the stage musical set to the tunes of ABBA, "Mamma Mia!" features Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgard, Julie Walters and Christine Baranski.

The weekend's other new wide release, 20th Century Fox's animated family flick "Space Chimps," opened at No. 7 with $7.4 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Media By Numbers LLC. Final figures will be released Monday.

1. "The Dark Knight," $155.34 million.

2. "Mamma Mia!", $27.6 million.

3. "Hancock," $14 million.

4. "Journey to the Center of the Earth," $11.9 million.

5. "Hellboy II: The Golden Army," $10 million.

6. "WALL-E," $9.8 million.

7. "Space Chimps," $7.4 million.

8. "Wanted," $5.1 million.

9. "Get Smart," $4.1 million.

10. "Kung Fu Panda," $1.8 million. Read More......

When the new Batman movie "The Dark Night" began screenings last month before its U.S. debut on Friday, some moviegoers saw Heath Ledger as an instant Oscar candidate as the deranged villain, The Joker.

But Oscar watchers and veteran critics say the joke may be on fans creating mostly Internet-based buzz because an Academy Award for the Australian actor, who died of an accidental drug overdose in January, would be a rare event.

Only one actor has won an Oscar after death, Peter Finch for 1976's "Network."

"Dark Knight" is the type of comic book, action adventure that Oscar voters generally do not favor and there are many movies to see later this year, the experts said.

Still, Ledger's critically hailed performance may bring a nomination for the U.S. film industry's top award, to be presented next on February 22, 2009.

"All this Oscar talk is a phenomenon of the Internet age that I like to call 'a wish-fulfillment rumor.' If people say it often enough, they think it will happen," said Leonard Maltin, film critic for TV program "Entertainment Tonight."

"That's not to say it might not happen," he said, citing a "great performance" by Ledger. "But I assure you that the people who are spreading all this are neither Oscar voters nor (Hollywood) movers and shakers."

Tom O'Neil, a columnist for award-watching Web site The Envelope.com, said "it really looks good" for a nomination but was "a long shot" to win.

Hollywood has a long history of seeing big stars -- James Dean, Marilyn Monroe and Bruce Lee among them -- appearing in high-profile films released after their untimely deaths.

O'Neil said that when Finch died, Hollywood was in the middle of Oscar season and also in shock. Prior to that, Robert De Niro was sweeping the critics' awards for "Taxi Driver."

Veteran Oscar watcher O'Neil also sees parallels between the truncated careers of Ledger and James Dean.

"Like Heath, James Dean was a heartthrob star who was considered a serious actor, who died tragically young," O'Neil said. "He was nominated twice posthumously, for "East of Eden" and "Giant," and he lost both times."

Even the legendary Spencer Tracy was ignored by the Academy of Motion Picture Arts and Sciences, which gives out the Oscars, after he died in 1967 just as "Guess Who's Coming To Dinner?" was coming. And he was the front-runner, O'Neil said.

Tracy's co-star Katharine Hepburn did win best actress for "Guess Who's Coming To Dinner?"

"That's how reluctant Oscar voters are to hug the dead," O'Neil said. "These awards are all about hugs and there's something creepy about embracing the dead."

Read More......